Waggons West Etsy Shop

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Friday, October 2, 2020

Today's Recipe: No Place Like Home

 

 


 

One of the hardest parts about working with upcycled denim is the variation in color you get not only between pairs of worn out jeans but within the jeans themselves.  That makes choosing the thread colors difficult.  A thread color that stands out on one shade of blue may be dull and lifeless on the next one.  Occasionally I come across a color that translates well to most.  The gold used in this ray gun badge is one of those colors. 

 

It was a random event that lead me to this color.  I bought it at a shop that was selling off a huge selection of odds and ends spools.  It was a large spool.  I have been using it for a couple years.  It is almost empty.  I went searching for a replacement. 

 

Because it was a remnant spool, the labels were not very clear.  I knew what brand it was but the numbers on the spool turned out to be size and type but not color.  They lead me to a page from that manufacturer with 20 shades of gold.  Many of them were close but the images were color swatches and not actual thread.  Without the sheen of the real thread it is very hard to tell if it is the correct one.  I had a flash of inspiration and looked inside the spool.  There was a small sticker with more numbers.  Fortunately, those matched the color numbers for the brand and I was able to find what i believed to be the proper color.

 

Finding that, lead me to a search for a vendor who carries the thread.  That lead me to Amazon where I found a spool!  I ordered it.  It arrived four days later.

 

It arrived with a return address for a shop less than 10 miles from my house.  A shop* I have been to before.  A shop I could have gone to with my almost empty spool to see if I could find a match.  A shop where I could have had the thread in hand immediately.  A shop I would have gone to last year.

 

But 2020... 

 

Next time I need new thread I will call them or go directly to their website.  I need to shop local. I need to do what I can to support the small local businesses that I used to depend on and want to be able to depend on in the future**.  There is no place like home.

 

*Remind me to tell you the story of my first visit to this shop and my first impressions and how they came back to haunt (or maybe just amuse) me some time. 

 

**This badge is one of my favorites.  It is from a series of Steampunk badge I designed specifically for a Steampunk Festival a few years ago.  I am going to have to design a steampunk sash next!

https://www.etsy.com/listing/471612650/steampunk-spaceship-ray-gun-iron-on?ref=shop_home_active_2 

Sunday, September 27, 2020

The Monster in the Closet: The Truth About Unfinished Objects.



At some point, every quilter discovers an unfinished quilt stashed away on a shelf or in a bag.  Some of us have several of them.  They can make us feel anxious, inadequate or just plain guilty. The longer they sit there the more we feel the them staring at us with reproach.  But it really shouldn't affect us that way.  

UFOs become UFOs for a reason.  They really aren't sitting there staring at us to make us feel guilty.  They aren't symbols of our failure.  We set projects aside because we run into technical issues, we made a mistake we can't see how to fix, we get frustrated, we start to question our fabric choices or we have emotional responses to the reason we started it in the first place.  

Each of those cases require some perspective.  Asking for help with technical issues is a good thing.  There may be a different way of creating the block that makes more sense or is easier.  There may be a problem with the pattern itself that some one has already identified and solved.  


With a little perspective, you can turn a mistake into a design element.  Add sashing, trim things down, insert a fabric that reads the same color as the one you miss cut. (If you look closely at this quilt you will see where I had to substitute additional fabrics to have enough to finish it.)   Remember that quilts come out of a make do tradition and those quirks add personality and truly make the quilt your own.   Figure out a plan and roll with it.  Advice helps.


Frustration is another thing that may just take some time to get past.  You can always pull out some scrap fabric and practice the technique with lower stress less risk to the project.  Ask for help.  Use the tedious piecing as leaders and enders and before you you know it you  will have it finished.  Give yourself a break and take the time you need.  

Emotional responses are much more difficult.  It is OK to donate a project that makes you angry or recalls emotions you aren't prepared to deal with.  But sometimes it is a good thing to see it through and finish it up.  I just finished and gifted a quilt I didn't finish in time to give to my mother.  It was hard and there may be a few extra tears in that binding.  But I felt good knowing it went to a couple who will love it and I don't have it around as a reminder.  I believe it helped me work through some of the grief.  

We all have reasons we quilt ranging from love of sewing to it keeps me sane.  Enjoy the process wherever it leads you.  Learn and "finish it up and move on, dearie."

Friday, September 18, 2020

Freaky

I guess I must be more tired than I assumed.  I was  looking at tabs on my browser and decided to look at comment spam.  For some reason, I was logged in to an unused blog that had NOTHING.  I was absolutely freaked that my blog of many years had completely disappeared.  But then I remember what it was really called and found it all.  G'night.  I'll try again another day. 

Saturday, March 28, 2020

Comment Spam

I wanted to write a new post but I had to wade through pages of comment spam and delete it all. 

I don't even understand the point. 

Another day. 

Saturday, January 26, 2019

PQ 10.2 Cozy of Last Resort

 As soon as I heard the challenge, I knew which stash of fabric was going to come out and play.  It was a set of red, white and blues I collected after finding a cute little dress in a thrift shop and deciding the colors were perfect for a quilt.  The reds were easy.  I passed up the white polka dots in my collection as being too transparent.  The blues were harder to match.  I have found that blue is actually a very hard color to match.   They are not perfect but they work.  I tried cutting the appropriate sized triangles and much to my surprise, made it all the way through the stack of fabrics.  Unfortunately, I realized I need twice as many little white ones as large colored ones.


 After much head scratching, internet perusing and seam ripping, I got the hang of using the triangle paper to make flying geese.  It was not entirely self explanatory.  It also required a degree of dexterity that I was missing.  I was making good progress once I got the hang of it all.  However, by Friday morning, I wasn't even half way through piecing.  Even with doing multiple rows at a time to cut down on trips to the ironing board, I just wasn't getting it done.  Another thing that actually made a great big difference was switching from my tiny and sturdy BL9 to my larger machine.  I had to (horror of horrors) change it from embroidery to sewing but that thread cutter and larger sewing surface really make a difference. 


Thus it became time for the cozy of last resort.  I call it that because once upon a time, the infamous Quilt Chicken made an air freshener cozy at the last minute just to say she had completed the challenge.  It is  a lovely cozy and a wonderful lesson in get 'er done.

I went to my stash and found the adorable snowpeople in trucks fabric along with the snowflake/star fabric.  I had to argue a bit to avoid getting started on another complicated design.  This was going to be your basic alternating blocks.  A quick table runner.  I did have a blue fabric similar to the red stars but I didn't want to think that hard.  So it is a just a basic checkerboard.

 


I should have started here in the first place.  My skills are very rusty.  There was joy in cutting and sewing simple blocks.  I managed to line up most of my corners and iron most of my seams in the right direction so they all laid flat.  I don't usually even take pictures of the back of my flimsies, let alone post them but I am pleased with how this worked out.


Here it is appropriated shot on a pile of melting snow.  It measures 16" x 24",  The batting turned out to be thicker than I thought, so the quilt is a little puffy for a table topper.  I did a simple cross hatching quilting.  I decided that because I found the walking foot before I found the FMQ foot.  It is the simple things, I know.  An important reminder to self.  Quilting causes the fabric to recede.  I should have quilted over the red squares leaving the snow people to pop out.  However, I knew the white thread would show my errors on the red.  Yes.  I could have gotten the red thread but I didn't think of that until I was already started.


Here you can see my only sort of wavy lines.  It turned out better than I hoped given my rusty quilting skills.  The walking foot is a wonderful invention!



 And an art shot just because I finished in time to try and take arty pictures rather than desperately snapping a blurry shot just to get it linked in time!


Saturday, January 12, 2019

PQ 10:1 The Light at the End of the Tunnel


Getting back into the swing of sewing for fun and quilting has been a bit more challenging than I thought it would be.  As soon as I heard the challenge for this week I knew exactly what I wanted to do.  However, it was clear I did not have the right fabrics to make it happen.  My personal challenge for this season of Project Quilting is 'use what you have'.  That meant I had to go with a second choice.  I wanted to to something that looked like the light at the end of the tunnel.   I decided I could do it by using up lots of ugly, irritating scraps and make a chenille quilt.

How is the light at the end of the tunnel hopeful?  Because I always hope it is the end of the tunnel and not a train!

The chenille quilt is a quilt sandwich made up of layers of scrap fabric between two pieces of fabric.  I've always (OK both times) used black fabric as the outside to provide lots of contrast.  Once you sandwich and pin you stitch rows of stitching to make channels.  For this project I tried to sketch out the bare bones of a tunnel.  Then you carefully cut through all of the layers, without cutting the backing.  As the fabric shreds and frays the colors come through.  It amazes me that I can use such wildly disparate fabrics with some really strong patterns and they still blend in as a color.


I wasn't able to get a good picture of the whole thing.  It measures just about 18 inches on a side.  You can kind of get the idea of the tunnel from this.  Ideally the side channels would have been curved but I knew it was going to be challenging enough to slash the center bits without adding more curves.  Plus, cutting on a curve equals cutting on the bias equals less fraying of the fabric.  That was not the best plan.  There may have been a few extra aggravated slashes here and there.
 

I finished everything but the binding a few days ago.  Since then we, the quilt and I, have been having a conversation about the binding.  
Quilt, "I want a rainbow colored blanket stitch with really pretty hand spun rainbow perle cotton."   Me.  "No."
Quilt.  "Rainbow."
Me.  "How about a nice solid black binding machine stitched on the front?
Quilt.  "No,  Rainbow, but not lots of rainbow.  Hand stitched rainbow."

Me.  "That would be lovely."
Quilt.  "YES.  Now go get the thread."

Me.  "Have you looked outside lately?  There is over a foot of snow on the ground and all the stores are closed."
Quilt.  "That isn't my fault.  I'll wait."
Me.  "The deadline is tomorrow."
Quilt.  "So."

Me.  "How about a lovely black thread zig zag so you are fully finished and we can maybe talk about more embellishments in the future?"
Quilt.  "It is a bit raggedy around here and I if you put me down, I'll end up in the WIP pile over there so OK.  But I still want rainbows!"
Me.  "We'll talk again." (*after I finish the rest of that pile.)

Made for Project Quilting season 10. 

Monday, August 13, 2018

Castle Story


 This wee knight might be the hero of your story.  Or you might have the princess rescue the dragon from him.  The story changes every time you play.


Story starter stones are the newest addition to the Traveling Chicken and Monster Show.

The rest of the finger puppets that go along with this set include the wizard, king, dragon and princess.

These will be available at upcoming shows and in the shop soon.

Thursday, July 26, 2018

Whew! Gulp!

Whew... made it through the Arts Week Golden show and had a blast.  What a well organized show.  For a first year it was very well done.  The support from the staff and volunteers of the Foothills Art Center was incredible.  Having some one greet you with a CART at check-in. Fantastic.  The crowds were a little thin but we did as well as we needed to do to cover our costs and enjoy our mini-visit with family.  I expect this show will grow and grow.  I certainly hope to be able to participate again in the future. 

The only mini-disaster for us was that my mechanical boxes went missing in the USPS service.  They never arrived so I didn't have any of them at the show.  We are trying to track them down and we are trying to produce some more.

Gulp!  The next couple months are going to be challenging.  I want to have at least one of the games I am working on ready for Taste of St Louis and Strangefolk.  I want to have the mechanical plushies ready to go as well.  Then I need LOTS of badges for Archon.  But my 'other' job is going to be taking up all of my time as I try to catch up from a long strange year. 

I'll post details about the upcoming events shortly. 

Sunday, May 13, 2018

Maker Life: Selling All the Things



It can be a double edged sword... 

You go to a show, a small show.  You don't have anything better to do that day but sit and sew.  The sewing you have to do is portable.  You might as well sew at the show where you can talk to people and maybe make a few bucks rather than stay home to work.

But then something happens.  You start selling things.  Lots of things.  You are sewing things up to replace what is on your table.  You sell some more.  You barely have time to sew.  You scour the bottom of the work bag for the popular items.  You discover you don't have any more.  It is a great day for sales.  One of the best ever. 

BUT...  the reason you have a giant work bag full of plushies to sew is that you have several big shows all coming up in short order and you need all the stock you can get for them.  Instead of getting work done in a pleasant location with happy people you burn through your stock and all the work you get done, gets sold immediately. 

And the panic really sets in.  Although past performance doesn't guarantee future results, the fact the customers seemed to have broken the no sales log jam may mean that you need to really kick out the product! 

EEP...  As we say around the WaggonsWest workroom.

Saturday, April 7, 2018

Upcoming Shows



I am putting together a schedule of shows for this year where you can see WaggonsWest things up close and in person.  I continue to work on the mechanical plushies and will be rolling them out at some of the upcoming shows. 

We don't yet have a full schedule of St Louis Science  Center events to which I have been accepted but I am going to post them anyway.  I'll update as I know more.

MAY 4  First Friday at the St Louis Science Center
MAY 12 Crown Plaza Spring Fling
JUNE 1  First Friday at the St Louis Science Center
JUNE 1-2 Strangefolk Big Glamp
JULY 6 First Friday at the St Louis Science Center
JULY 20-22 Golden Arts Week, Golden, CO
AUG 24 Race for the Rivers Art on the River
SEPT 7 First Friday at the St Louis Science Center
SEPT 14 - 16  Stay tuned...
SEPT 28-30  Strangefolk Festival
OCT 5 First Friday at the St Louis Science Center
OCT 12 stay tuned...
NOV 2  First Friday at the St Louis Science Center
DEC 7  First Friday at the St Louis Science Center

And whenever possible I go to the Flying Monkey Arts.  But I never know if I am in until the day of so the best thing to do is follow WaggonsWest on Facebook and Instagram. 

Saturday, March 24, 2018

PQ 9.6 Use Up and Make Do



The Project Quilting Challenge this week is Scraptastic.  We are required to use 12 unique fabrics.  That continues to fit my personal theme of Western Expansion.  While there are lots of wonderful examples of beautiful quilts made by women on the way West.  There were, however, even more quilts made of scraps for purely utilitarian purposes.  Use what you have.  Make a quilt to keep some one warm. 

I really like this picture of Victorian era women quilting.  I don't actually know where they are or what year the photo was taken, but it is clearly post Civil War and likely pre 1900.  So the time is right.  I love the ladies sitting around the quilt frame. 

I grew up playing under the quilting frame at my grandmother's house.  It was always set up in the living room when she was working on a project.  I would take my dolls and my own little sewing project underneath and I would apparently sing away while the ladies quilted.  Every now and then I had to find the hanging needle that they 'lost' have to poke it back up through the top.  I must have been able to do it with sufficient precision because I don't really recall having to try a lot.  My only regret is that I didn't pay attention to the conversations that were taking place above the quilt.  I am quite sure I would have a much better understanding of all sorts of family history had I been listening. 

This little quilt is about 8 x 10 inches.  The image is printed on cotton.  The 'frame is made from blocks that finish at 1/2 inch.  It has a pillowcase finish and is machine quilted with a simple stitch in the ditch... I hate stitch in the ditch...

Now go and read about all of the amazing quilts made as part of this week's Project Quilting episode. 


Sunday, March 11, 2018

The People You Meet: Early Departures

One of the worst things a vendor can do is pack up and leave before the end of the show.

Yes, there are some good reasons a person has to leave early.  Medical emergencies and familial crises warrant a hasty departure.  Not making any sales or being bored is NOT a reason to leave. You paid your money to be there.  You agreed to be there.  You need to fulfill your obligation. 

The show may be slow.  There may not be a customer in sight.  You may be bored out of your mind.  But it is still inappropriate to pack up and leave early.  And the worst offenders of all are the ones who pack up and leave in a huff, making as much noise as possible while blocking aisles and neighboring booths.

Customers see early packers as a sign that the show is over.  They will spend less time looking.  They avoid aisles that are blocked with a cart and boxes.  They leave.  Vendors who leave early disrupt the entire show.  They ruin potential sales for their neighbors.  It is bad form.

Furthermore, leaving early also means you miss potential sales.  I have had more than one slow day break even or make a profit because of sales at closing time or even just after.  Sometimes, it is from other vendors who were waiting for their final tally before spending. On one occasion, I slow-walked my clean up for the boy with the 5 siblings who kept tugging on his mom's sleeve as she chatted.  By the time she was done and they walked over, it was probably ten minutes**** past closing.  She quickly bought him the monster he wanted and she bought something for each of the other 5 with her.   You never know. 

If you have a crisis and have to leave it is best to try and locate the coordinator and let them know your situation.  It may not save you from being put on the naughty list but it is the correct thing to do.  Quietly letting your booth neighbors know what is going on is also appropriate.  They may be able to help let the coordinator know and they may be able to help you get packed up.

The real key if you absolutely have to pack up early is to be as discrete as you possibly can.  Start from the back of your booth leaving the easiest thing to pack in front and on display as long as possible.  Politely tell any customers who come into your booth or pause at your table that you must leave for a personal reason. Offer them a card so they can check out your on-line shop or tell them when you will be at the next show.

Move your stock and display out of the area as quickly and quietly as you are able.  Do not block the aisles.  Do not shove your cart through the crowd.  Take the least crowded, least obvious path you are able to follow. Do your best not to disrupt the flow of customers to the booths around you. 

Follow up with a note to the organizer about why you had to leave.  It is only polite.

Otherwise.  DO NOT PACK UP OR LEAVE EARLY.  

**** Lest you think I am slowed up the works for the organizer, let me be clear that while I was waiting for the boy and his mom, I had organized and packed everything behind my booth.  My price tags were stowed.  Most of the secondary display items were packed.  I'd taken down my sign.  I'd picked up my business cards.  My paper bags were in their place just open enough so I could get to one.  I was ready to go once their purchase was complete.  And let me also say that due to the nature of my product and due to the fact I have a bunch of engineers and efficiency experts in the family, my tear down process takes at most 20 minutes start to finish if I am by myself and if I have help we are often in the car 15 minutes after we start packing (it has become something of challenge to see if we can beat the record time).  So my stalling for 10 minutes still meant that I was packed and gone in less than half an hour after the close of the show.  I would never do that if it took me longer to pack up.  

PQ 9.5: A Stitch in Time





I have long said that if my dad had been born 100 years earlier we would have been on a wagon train going West.  After a childhood of imagining that revisionist history, I eventually came to the conclusion that I would make a terrible pioneer.  I cannot keep track of my needles! 

If you think about it, a needle is a very important tool.  In a world where you have to make almost everything you need to take care of your tools.  Some things you can make or repair, a new handle for the axe, a new edge on the plowshare.  A good blacksmith can make nails and forks.  But needles?  Needles are another story.   I haven't researched how needles were made pre-Industrial Revolution.  There were stages between sharpening bone and post Industrial Revolution machine production.   Even historic needles are fine. From reading diaries of the women who traveled the Oregon Trail I've learned that a needle was a precious commodity. 

And I am notorious for losing my needles.  I try not to lose them in carpets and furniture and am successful for the most part but where they actually go?  I have no idea.  And so I would make a terrible pioneer.  My clothes would be ragged and the canvas on my tent would be un-patched.  It would not be pretty.

So my stitch in time quilt is a nod to those brave women who packed their precious things in a covered wagon and headed west, needle in hand, to face a vast unknown landscape.



The image is of the interior of a covered wagon.  Notice the fancy chair, spinning wheel, butter churn and what looks to be boxes of silverware and likely other tools.  I love the pretty dresses hanging on the pegs. 

The picture is printed on fabric and is embellished with embroidery floss.  The binding is a ruffle (new technique for me) made of a modern calico fabric.  It measures approximately 8 x 10 inches.  This quilt continues my Western Expansion theme for the Project Quilting challenges this year.

You can read more about Project Quilting and check out all the amazing quilts made this week on Kim Lapacek's Blog. 

 

Thursday, February 22, 2018

The People You Meet: Vendors with Children

 There are lots of discussions on various sites about vendors with children.  Look past the ridiculous flame wars of "I would never" and "My child is perfect"  and you get to the simple reality.  Sometimes you just have to take the kids with you.  It is a fact of life.

You never know the reason that vendor has the cranky baby with her.  It was most likely not her first choice.  Tales of flaky babysitters, sick grandmothers, broken cars and working husbands abound.  Some people can roll with it.  Some moms are at the breaking point.  Whatever the reason, they have made the decision that they need to honor their commitment and try and recapture their investment in show fees.  And no matter how they cope with the circumstances, it may literally be a necessity to put food on the table for the week.

The same is true for neighboring vendors.  They are there because this is their business and they need to be able to make sales. They have as many reasons to be stressed as the mom.  Maybe they were up all night finishing product or got up early to drive to the venue.  They have lives and distractions as well.

My broader point is that vendors on both sides of the issue need to take a deep breath and work together to help create and maintain a successful show.  Be open minded.  Be willing to offer and to accept help.  Set respectful boundaries. Be polite.

If you have to take kids with you, bring plenty of snacks, have their favorite toys, bring electronics.  If you can play a movie you can get a couple hours of calm. You know what makes your kids comfortable.  Do what you can to provide it under these conditions. (Unless it is bubbles, involves fingerpaint or chocolate syrup.  Don't bring bubbles, fingerpaint or chocolate syrup.)

 Make sure that you set up an area for the kids with in YOUR booth space.  You may have to give up a table or display area to make sure your kids have room.  So be it.  One of mine loved being underneath the table.  He was invisible to the customer and perfectly happy hiding out in 'his' space. It meant I had less space to store things under the table.  We worked it out.

Set boundaries for them.  Make sure they know where they can and can't play. If they are old enough to roam, set clear guidelines for where they can go, who they can talk to and how and when to check in. You need to know where your kids are and what they are doing.  They are your responsibility.  It is not the job of the vendors or the show organizer or the face painter/balloon artist/craft table monitor to keep track of your children.  Don't be that parent. 

Most of the time, those kids are just part of the scenery playing in the background. Sometimes they melt down. It is a long day and their routine is disrupted, parent is distracted, the weather is uncomfortable.  It happens.  Roll with it and do the best you can. Most people with kids understand. They've been there and done that.   If you get a customer who can't cope you are just going to have to let it go.

Children can be a huge asset in a booth.  They can wear or play with sample goods to show customers how they look or work in real life. They can assist with re-stocking, packing up purchases and tidying up the booth. At shows where it is permitted, I've seen vendors set up a small area where their kids market their own products or have a small craft project for customer kids to make. You just have to monitor things.

Read the customer to see of they are enjoying the kid or annoyed by it.  Work out a signal with your kid ahead of time that lets the child know to step out.  You can talk to them ahead of time and let them know that sometimes there are cranky people, people who are in a hurry or people who just have problems with kids.  Let them know that is isn't their fault but that sometimes you just need to take over.  Work out a plan where you can say excuse me jr would you please get the dohickey under the table for me.  The kid knows the doohickey is the signal to step out. Have them practice saying excuse me to the customer.  I need to do this thing for my parent but she will help you while I do.  Practice.  It can be a game.  A little secret your share while you make a transition to accommodate your customer.

The most important rule for kids at shows is to be respectful of the other vendors.  Older kids can walk around and look at the products.  They can talk to the vendors.  They can learn a lot.  If you or they have some money to spend you can set a budget and allow them to figure out what they want to buy.  However, you can't let them run around wildly endangering themselves and other vendors displays.  They should not be allowed to handle merchandise unless invited to by the vendor AND unless their hands are clean. You need to make sure they do not interfere with sales in the other booths.  If they are in a booth and a real customer approaches they need to wait quietly or move on. Practice this with them.  Do not let them be booth parkers. Set limits on how often and when they can re-visit a booth that they really like. 

 If they are old enough encourage then to assist others.  If they offer and the vendor agrees they can carry boxes or pick up items that may drop.  They can open doors and they can get water or even snacks.  Help them see ways to be helpful.  But also help them to understand that not everyone wants to be helped and to learn when to back off.

Pay attention to the vendors around you and the vendors with whom your kids seem fascinated.  If a vendor asks your kid not to touch then do everything you can to make sure your kid doesn't touch.  Talk to them about being careful around stock and to avoid bumping in to tables or knocking things over.  Truly do not let them handle the merchandise of other vendors.  Do not let them run and toss things in the venue.  This puts them and the rest of the vendors at risk of harm or damage to displays and merchandise.

If an accident happens.  Take responsibility for it. Don't argue. Apologize.   Pay for it.  You brought the kids for whatever reason.  You are responsible for them.    And then make sure that your child knows what they did was wrong.  Give them the opportunity to 'work' off the damages by setting a clear list of tasks for them.   Follow through.  Check things off as they are done. 

 Know when to pack it in.  Sometimes you just can't do it all.  Sometimes you will just have to give up and take the kids home.  It is a tough decision but you need to keep them safe and be considerate of the vendors and customers around you.  If you reach that point seek out the organizer and let them know what the problem is.  You may be able to take a break, close your booth and come back in an hour after you and your child get a break.  Be prepared to cover your table and take your cash with you.  If that isn't and option and you really need to leave, pack up as discretely as you are able.  Start from the back of your booth and work towards the front.  Haul things out as quietly and quickly as you are able.  Do not make a big deal out of it.  Let your booth neighbors know why you are leaving. Apologize.  Create as few disruptions for the customers and the venue as you possibly can.  Most everyone will understand.  Many will find ways to help.  You've done your best.  Cut your losses and take care of your child.

If you are the vendor next to the kids.  Be calm and patient.  Be clear.  Set your boundaries.  Communicate them both to the child and to the parent clearly.  Most kids will understand when you tell them that their sticky fingers will damage the items in your shop.  Use it as an opportunity to explain what you do.  In general it is a good idea to have a sample or a mock up or something that represents your work process on hand for everyone to touch. It is the button you can't touch that has the strongest pull so do what you can to remove that temptation from them. 

It is perfectly OK to say to the child you can look at three things and then you need to report back to your adult.  If you have a candy dish, let them know what the limit is.  Stick to it.

Be as helpful as you are able.  Your first responsibility is to your booth and your customers.  But there will be down time and you can offer to hold the fussy baby or to booth sit when the toddler needs to go to the bathroom.  With the clear permission of the adult, you can let the older kids assist.  Say thank you when they hold the door.  And no thank you when you can't use their help.  Most of all take a few seconds to let the parent know when their child is well behaved or that you understand when their baby is cranky.  Kindness goes a long way.

If an accident happens be calm.  Deal with any dangerous issues first like making sure there isn't any broken glass for some one to step on.  Then assess the damage.  You may want to take pictures.  You may want to write up a list of the times the child was in your booth handling your merch, how any times you spoke to the parent, what they said, if you talked to the organizer and anything else relevant to the situation.   It is perfectly reasonable to ask for payment for broken or damaged merchandise.  It is also possible that the parent won't have the means or ability to pay.  Be open to barter or payment plans.  Be realistic.  Carry insurance.  This is what it is for. 

Lastly, if there is a real problem and the parent is unable or unwilling to address it then you need to report it to the organizer. 

Saturday, February 10, 2018

Princess Chuck and the Queen Bee


When the Princess was small the Queen Bee would make her dresses.  Beautiful dresses with tiny pink or blue flowers.  They had lace on the collars and contrasting pockets and they were perfect for a princess.  Well, not the swirly twirly princess dresses of today but perfect for princess named Chuck.
She taught her how to make soap.  Tried to teach her how to make cheese and led the way through a wide swath of seventies arts and crafts.  The Queen Bee got Princess Chuck her first job as a dishwasher (the princess was not amused) and her second job as acid washing glassware in a lab (better suited to a princess named Chuck).  The Queen Bee bought Princess Chuck her first grown up hat, made her go to a fancy salon (awkward) and introduced her to Loeman's at the height of big eighties fashion.   Together they drove trucks, didn't get stuck in the mud (barely), went four wheeling, looked for rocks and flowers and had adventures.

All in all the Queen Bee is amazing.  She graduated from college in three years with honors.  She got a masters degree in geology and became an exploration geologist before there were many women in that field.  She is good at finding oil.  She walked into the petroleum club like women had always been there. This tiny little lady with the long blond hair would smoke cigars and drink whiskey with the boys (even though I doubt she ever liked whiskey or cigars).   She got another master's degree.  She and her husband started  breweries in their back yard and up the mountain and down the street and in Nepal.  Because of course you need to have a brewery in Nepal.  She takes people in and helps them on their way.  She will wear silly shoes because her friend wants her to and she will travel a long way because she is needed.  The Queen Bee is truly brave and bold. 

This wee quilt hearkens back to one of those arts and crafts projects that the Queen Bee and Princess Chuck did sitting at a table made from slab wood under a tarp in a forest of aspen.  They made mosaics on old boards using sticks and stones and pocket knives and glue.  The Queen Bee made an award winning picture of the Crystal Mill which is the focus of this quilt.  Princess Chuck made a picture of  hole in the ground mining entrance.

The picture of the Crystal Mill was printed on fabric.  It is lightly embroidered with embroidery floss.  The flowers are vague representations of alpine forget-me-knots.  It is bound with quilter's cotton.  I finally remembered that I could to do the embroidery through the batting before adding the backing so this one is a wee bit neater than the previous two.  It is just shy of 7 x 9 inches.

This quilt was made in response to Project Quilting Season 9, challenge 3: Bold and Brave. 

Edit:  I should probably add that my sister has been referred to as the queen for many years.  I give her crowns and queen bees whenever I find them.  I'm not really a princess but I did answer to Chuck for most of my childhood.