Waggons West Etsy Shop

Thursday, February 22, 2018

The People You Meet: Vendors with Children

 There are lots of discussions on various sites about vendors with children.  Look past the ridiculous flame wars of "I would never" and "My child is perfect"  and you get to the simple reality.  Sometimes you just have to take the kids with you.  It is a fact of life.

You never know the reason that vendor has the cranky baby with her.  It was most likely not her first choice.  Tales of flaky babysitters, sick grandmothers, broken cars and working husbands abound.  Some people can roll with it.  Some moms are at the breaking point.  Whatever the reason, they have made the decision that they need to honor their commitment and try and recapture their investment in show fees.  And no matter how they cope with the circumstances, it may literally be a necessity to put food on the table for the week.

The same is true for neighboring vendors.  They are there because this is their business and they need to be able to make sales. They have as many reasons to be stressed as the mom.  Maybe they were up all night finishing product or got up early to drive to the venue.  They have lives and distractions as well.

My broader point is that vendors on both sides of the issue need to take a deep breath and work together to help create and maintain a successful show.  Be open minded.  Be willing to offer and to accept help.  Set respectful boundaries. Be polite.

If you have to take kids with you, bring plenty of snacks, have their favorite toys, bring electronics.  If you can play a movie you can get a couple hours of calm. You know what makes your kids comfortable.  Do what you can to provide it under these conditions. (Unless it is bubbles, involves fingerpaint or chocolate syrup.  Don't bring bubbles, fingerpaint or chocolate syrup.)

 Make sure that you set up an area for the kids with in YOUR booth space.  You may have to give up a table or display area to make sure your kids have room.  So be it.  One of mine loved being underneath the table.  He was invisible to the customer and perfectly happy hiding out in 'his' space. It meant I had less space to store things under the table.  We worked it out.

Set boundaries for them.  Make sure they know where they can and can't play. If they are old enough to roam, set clear guidelines for where they can go, who they can talk to and how and when to check in. You need to know where your kids are and what they are doing.  They are your responsibility.  It is not the job of the vendors or the show organizer or the face painter/balloon artist/craft table monitor to keep track of your children.  Don't be that parent. 

Most of the time, those kids are just part of the scenery playing in the background. Sometimes they melt down. It is a long day and their routine is disrupted, parent is distracted, the weather is uncomfortable.  It happens.  Roll with it and do the best you can. Most people with kids understand. They've been there and done that.   If you get a customer who can't cope you are just going to have to let it go.

Children can be a huge asset in a booth.  They can wear or play with sample goods to show customers how they look or work in real life. They can assist with re-stocking, packing up purchases and tidying up the booth. At shows where it is permitted, I've seen vendors set up a small area where their kids market their own products or have a small craft project for customer kids to make. You just have to monitor things.

Read the customer to see of they are enjoying the kid or annoyed by it.  Work out a signal with your kid ahead of time that lets the child know to step out.  You can talk to them ahead of time and let them know that sometimes there are cranky people, people who are in a hurry or people who just have problems with kids.  Let them know that is isn't their fault but that sometimes you just need to take over.  Work out a plan where you can say excuse me jr would you please get the dohickey under the table for me.  The kid knows the doohickey is the signal to step out. Have them practice saying excuse me to the customer.  I need to do this thing for my parent but she will help you while I do.  Practice.  It can be a game.  A little secret your share while you make a transition to accommodate your customer.

The most important rule for kids at shows is to be respectful of the other vendors.  Older kids can walk around and look at the products.  They can talk to the vendors.  They can learn a lot.  If you or they have some money to spend you can set a budget and allow them to figure out what they want to buy.  However, you can't let them run around wildly endangering themselves and other vendors displays.  They should not be allowed to handle merchandise unless invited to by the vendor AND unless their hands are clean. You need to make sure they do not interfere with sales in the other booths.  If they are in a booth and a real customer approaches they need to wait quietly or move on. Practice this with them.  Do not let them be booth parkers. Set limits on how often and when they can re-visit a booth that they really like. 

 If they are old enough encourage then to assist others.  If they offer and the vendor agrees they can carry boxes or pick up items that may drop.  They can open doors and they can get water or even snacks.  Help them see ways to be helpful.  But also help them to understand that not everyone wants to be helped and to learn when to back off.

Pay attention to the vendors around you and the vendors with whom your kids seem fascinated.  If a vendor asks your kid not to touch then do everything you can to make sure your kid doesn't touch.  Talk to them about being careful around stock and to avoid bumping in to tables or knocking things over.  Truly do not let them handle the merchandise of other vendors.  Do not let them run and toss things in the venue.  This puts them and the rest of the vendors at risk of harm or damage to displays and merchandise.

If an accident happens.  Take responsibility for it. Don't argue. Apologize.   Pay for it.  You brought the kids for whatever reason.  You are responsible for them.    And then make sure that your child knows what they did was wrong.  Give them the opportunity to 'work' off the damages by setting a clear list of tasks for them.   Follow through.  Check things off as they are done. 

 Know when to pack it in.  Sometimes you just can't do it all.  Sometimes you will just have to give up and take the kids home.  It is a tough decision but you need to keep them safe and be considerate of the vendors and customers around you.  If you reach that point seek out the organizer and let them know what the problem is.  You may be able to take a break, close your booth and come back in an hour after you and your child get a break.  Be prepared to cover your table and take your cash with you.  If that isn't and option and you really need to leave, pack up as discretely as you are able.  Start from the back of your booth and work towards the front.  Haul things out as quietly and quickly as you are able.  Do not make a big deal out of it.  Let your booth neighbors know why you are leaving. Apologize.  Create as few disruptions for the customers and the venue as you possibly can.  Most everyone will understand.  Many will find ways to help.  You've done your best.  Cut your losses and take care of your child.

If you are the vendor next to the kids.  Be calm and patient.  Be clear.  Set your boundaries.  Communicate them both to the child and to the parent clearly.  Most kids will understand when you tell them that their sticky fingers will damage the items in your shop.  Use it as an opportunity to explain what you do.  In general it is a good idea to have a sample or a mock up or something that represents your work process on hand for everyone to touch. It is the button you can't touch that has the strongest pull so do what you can to remove that temptation from them. 

It is perfectly OK to say to the child you can look at three things and then you need to report back to your adult.  If you have a candy dish, let them know what the limit is.  Stick to it.

Be as helpful as you are able.  Your first responsibility is to your booth and your customers.  But there will be down time and you can offer to hold the fussy baby or to booth sit when the toddler needs to go to the bathroom.  With the clear permission of the adult, you can let the older kids assist.  Say thank you when they hold the door.  And no thank you when you can't use their help.  Most of all take a few seconds to let the parent know when their child is well behaved or that you understand when their baby is cranky.  Kindness goes a long way.

If an accident happens be calm.  Deal with any dangerous issues first like making sure there isn't any broken glass for some one to step on.  Then assess the damage.  You may want to take pictures.  You may want to write up a list of the times the child was in your booth handling your merch, how any times you spoke to the parent, what they said, if you talked to the organizer and anything else relevant to the situation.   It is perfectly reasonable to ask for payment for broken or damaged merchandise.  It is also possible that the parent won't have the means or ability to pay.  Be open to barter or payment plans.  Be realistic.  Carry insurance.  This is what it is for. 

Lastly, if there is a real problem and the parent is unable or unwilling to address it then you need to report it to the organizer. 

Saturday, February 10, 2018

Princess Chuck and the Queen Bee

When the Princess was small the Queen Bee would make her dresses.  Beautiful dresses with tiny pink or blue flowers.  They had lace on the collars and contrasting pockets and they were perfect for a princess.  Well, not the swirly twirly princess dresses of today but perfect for princess named Chuck.
She taught her how to make soap.  Tried to teach her how to make cheese and led the way through a wide swath of seventies arts and crafts.  The Queen Bee got Princess Chuck her first job as a dishwasher (the princess was not amused) and her second job as acid washing glassware in a lab (better suited to a princess named Chuck).  The Queen Bee bought Princess Chuck her first grown up hat, made her go to a fancy salon (awkward) and introduced her to Loeman's at the height of big eighties fashion.   Together they drove trucks, didn't get stuck in the mud (barely), went four wheeling, looked for rocks and flowers and had adventures.

All in all the Queen Bee is amazing.  She graduated from college in three years with honors.  She got a masters degree in geology and became an exploration geologist before there were many women in that field.  She is good at finding oil.  She walked into the petroleum club like women had always been there. This tiny little lady with the long blond hair would smoke cigars and drink whiskey with the boys (even though I doubt she ever liked whiskey or cigars).   She got another master's degree.  She and her husband started  breweries in their back yard and up the mountain and down the street and in Nepal.  Because of course you need to have a brewery in Nepal.  She takes people in and helps them on their way.  She will wear silly shoes because her friend wants her to and she will travel a long way because she is needed.  The Queen Bee is truly brave and bold. 

This wee quilt hearkens back to one of those arts and crafts projects that the Queen Bee and Princess Chuck did sitting at a table made from slab wood under a tarp in a forest of aspen.  They made mosaics on old boards using sticks and stones and pocket knives and glue.  The Queen Bee made an award winning picture of the Crystal Mill which is the focus of this quilt.  Princess Chuck made a picture of  hole in the ground mining entrance.

The picture of the Crystal Mill was printed on fabric.  It is lightly embroidered with embroidery floss.  The flowers are vague representations of alpine forget-me-knots.  It is bound with quilter's cotton.  I finally remembered that I could to do the embroidery through the batting before adding the backing so this one is a wee bit neater than the previous two.  It is just shy of 7 x 9 inches.

This quilt was made in response to Project Quilting Season 9, challenge 3: Bold and Brave

Edit:  I should probably add that my sister has been referred to as the queen for many years.  I give her crowns and queen bees whenever I find them.  I'm not really a princess but I did answer to Chuck for most of my childhood.  

Saturday, January 27, 2018

PQ 9.2 Little House on the Prairie Points

This was not the best week of quilting for me.  I was on travel for much of the week.  I was able to plan a gorgeous quilt that was going to twin size.  I managed to go to Hancocks of Paducah with that plan in hand.  And I couldn't find the right fabric.  Well, that and the fact that the twin sized quilt wants prairie points.  It would take at best guess a couple hundred prairie points.  Given that I have no idea how to sew prairie points or how to finish the binding once I put them on, making a smaller project to practice seemed like the better idea. 

I do seem to have a theme going this season.  This is an historical picture of some women and horses standing in front of a soddy, a cabin made of sod, in Nebraska.  Because, of course, prairie points make me think of Little House on the Prairie. 

The picture is printed on fabric.  It is lightly quilted with No 3 Perl Cotton.  the binding is my first attempt at continuous prairie points (OK any prairie points).  I learned many things from this.  Making miniature prairie points for a first project is not the best idea.  I have no idea how to finish/attach/do anything with the corners.  This continuous strip thing will work really well once I make it big enough to collect and hide my raw edges and once I figure out the whole corner thing.

So why prairie points for my triangles?  Because I am a rebel.  I made triangles by cutting squares. 

This quilt is part of Project Quilting Season 9.  The challenge was triangulation.  This quilt measures about 5 x 8 inches.  I quilt just outside of St Louis, MO. 

Tuesday, January 16, 2018

Big Ear Bunny

The Big Ear Bunny is one of the newer members of the Traveling Chicken and Monster Show.  He is very quiet so I don't know much of his story.  Like the other bunnies in the show people who love him find him, hug him and take him home.  It is a strange phenomenon.  There is very little conversation around the bunnies.  Usually a comment about how soft he is.  He hasn't told anyone his name so we call him BEeB.  If he talks to you, let me know!

He is soft and huggable.  I try to work with scraps and remnants but BEB = started from fabric on a bolt.  I was shopping with my friend B at a quilt shop.  As usual, I stopped to look at the fluffy fabric.  B saw the chenille and said "you HAVE to make something out if this."  I choked on the price but picked it up.  I didn't know who was going to emerge from it but I did know that I needed some contrasting fabric so I choked some more and bought it. 

When I got home, I started flipping through my sketch book when I found this little bunny with the big ears.  It was exactly what I needed for this bunny.  So I digitized him and stitched him up. The first draft was in beige fleece.  He was on the table when a dad put the bunny in the hands of his tiny daughter.  She hugged him and that was it.  So the Big Ear Bunny is now a staple of the the Traveling Chicken and Monster Show!

I will be listing him in the shop soon.  

Sunday, January 14, 2018

The People you meet: Various Vendors

Over the past few years, we've been to festivals, cons, art shows and pure craft shows.  The audience has ranged from 100 - 100,000.  Throughout it all we have learned a lot about our process and practices.  We have taken what we learned and used it to make tweaks to our set up, products and patter.  We've observed how people interact with our displays and then experimented to see if we can improve their experience. It has been an amazing experience.  This series is an attempt to share what we've learned.  

The vendors around us have ranged from first time wet behind the ears to been there done that made more than you experts.  Upon reflecting about our various booth neighbors I realize we have developed a sort of short hand to communicate the various styles and a set of responses to them.  I've already addressed the polite professional.  You can read about that in this blog post.  Here are a few of the others. 

The Attentive Newbie. This is a first time vendor.  They are excited about their products.  They have high expectations for the day.  They make mistakes.  It is OK.  It can be fun to be next to a newbie.  Engage with them.  Show them the ropes. Let them know what they are doing right and then you can politely let them know what they are doing wrong.  For example, "I like your 7 foot tall shelf full of fragile things however it is in the aisle and you don't want customers bumping in to it and knocking it over.  Perhaps you should put it in the back corner where they can see it but won't break it." Engage with them and help them learn the ropes.  It can be a fun day and you can help some one become a better booth neighbor.

The Poacher.  There is an unwritten rule that customers passing in front of your booth are your customers.  This can be extended a wee bit if a customer on the edge of your space is looking directly at you.  You are free to address customers in your zone.  You can politely acknowledge customers on the edge who are making eye contact.  Once the customer passes outside of your zone, they are no longer your customer.  Retreating backs are NOT customers.  The poacher either stands in the aisle or in the front of their both.  They engage with customers outside of their zone.  They distract a customer who is looking at another booth.  Some poachers justify their practice because they are offering deals, raffles or prizes. They tend to be gimmicks and do not tend to appeal to customers looking for handmade even when it is a handmade seller.  An extreme poacher will follow customers into a neighboring booth.  While poachers think that this is a good marketing strategy it usually isn't.  Most of the time poaching reeks of desperation and customers can smell it. It frequently causes approaching customers to turn and walk the other way and can completely scare customers away from all of the surrounding booths.

Chasers.  While I described chasers under poaching, they deserve a special mention.  Chasing down customers and following them into other booths is bad form.  Don't do it.  A good show host will not allow chasers to continue.

Aisle Blockers.  There are several categories of blockers.

Space Blockers.   Each show has a set booth space.  You are expected to stay inside the boundaries set for you by the show host.  If you have a 10x10 space EVERYTHING needed to run your booth must fit within that 10x10 boundary.  Even if the aisle is 20 feet wide.  You need to keep your stuff inside your space.  Moving a rack or sign or wall into the aisle can be a violation of fire codes.  It is usually a pure safety hazard.  Don't do it.  With regards to your neighbors it is just plain rude.  It blocks the view of their booth from the aisle.  It interferes with airflow on hot days.  It causes traffic to move wide around the blockage and can cause customers to overlook small products in neighboring booths.

Some shows do have exceptions.  Sometimes there is a small aisle behind the booth between the rows.  Politely discuss use of this space with your backdoor neighbor.  It can be a very friendly spot to be in as long as you share fairly and play nicely.  Some shows also have a wee bit of wiggle room.  They may mark an11x11 spot for a 10x10 space.  That means that if you put your tent to the back of your spot you can slide out ONE foot in front of it.  Don't be a camel.  Stay behind the blue tape or the red line.  Keep it LOW.

Customer blockers.  Some booths are popular.  They have lots of customers and are very busy.  Customers line up to get in.  Customers watch from across the aisle.  A busy booth vendor can't do a lot about that.  They are usually too busy to notice what is going on outside the tent.  Good ones, however, encourage people to step in, do what they can to politely suggest they don't block the aisle and bring in more helpers to speed things up.  While it may be annoying to be next to the popular booth you should look on it as an opportunity.  There are a lot of people coming down your aisle and there are a lot of people in your zone while they wait to get into the booth next door.  Engage with them.  Offer shade, water for their pet, a bag to hold all their loose objects(a bag that has your contact information).  Ask what brings them to event, where they are from, what they are looking for.  Invite them in to look around while they wait.  That few seconds of engagement is an opportunity to attract their attention and get a second look.  Take advantage of it.

The other thing to do is to observe.  Are they selling something unique?  If they are selling the same things as everyone else, what are they doing to stand out?  What does their booth look like?  Watch how they engage with the customers.  You can learn a lot from them!

The one thing to never do is publicly grouse about it.  No one wants to hear you bad mouth another vendor and customers who like the busy booth are not going to jump in and buy from you because you gossip about their favorite.

Chatty Cathy Blockers.  These are the vendors who have 35 members of their family in and around their booth all day.  There are at least 5 people who don't fit in their space and who spill out to stand in front of the neighboring booths.  This is rude.  Don't allow it to happen. It is great to have support.  It is great to bring people to the show.  Do not allow them to block the aisles or other booths.  Move them in or move them out.  The end.

If you are next to the family reunion, it may take you a while to realize that they are probably not customers.  Once you do you will likely start to notice that they are smoking, drinking and allowing their children to run wild with sticky fingers all over your products.... take a deep breath is usually isn't that bad.  Now, you can politely ask them to move.  You can politely ask the vendor to ask them to move.  You can move in front of your booth to 'rearrange or straighten products" and say excuse me a lot.  Usually they will get the message and move for a bit.  Wash. Rinse.  Repeat.

If you are the recipient of familial love, please be aware of where they are.  Ask them to stay within your zone.  Encourage them to visit the rest of the show.  Tell them about the amazing artist in the next booth with the incredible art that they should buy for Great Aunt Esther.  If they don't get the hint tell them to go home and come back when you need help cleaning up!

PQ 9.1 Hometown Love: Fairplay

 I had big plans for this week.  Big Plans!

I've lived a lot of different places so I had a number of wonderful towns to choose from:  two coasts, mountains, flat lands, small towns, big cities, impressive landscapes.  However, I quickly choose a place I've never actually lived.  I've never had it on my drivers license and I've never even had a mailing address there.  But I did spend a portion of every year from the time I was eight years old until now missing at most two years.  As a kid, I was in school or in this town so I feel like I grew up there.  The town is Fairplay, Colorado.  It is deep in the heart of South Park.  (Yes, South Park is a real place.  Yes the cartoonists are from the next valley over.  Yes that is a thing.)

Having decided on the town the pattern was also a no brainer.  I was going to make delectable mountains.  I'd made a table runner a couple years ago for the PQ challenge and knew it was well within my skill set.  I could make a lot of those blocks with relative ease and could therefore go quickly.  I looked on line and saw a variation that looked liked an Irish Chain.  It was perfect.  

Now for the fabric.  I recently found a box of fabric that had been 'lost' in the move double digit years ago.  It had lots of treasures including several sets of fabric.  I remember some of them. Others, not so much.  However, there was one set that I obviously purchased in a quilt shop. Most likely a long gone shop in Fairplay.  It has gorgeous columbine and iris fabrics and coordinating purples and greens.   Combined with a white background it would be a glorious tribute to my 'hometown'.

Looking at the picture at the top of the post, you can clearly see that there aren't any iris or columbine or mountains in my quilt.  You see, the math doesn't work.  I was going to make cheater mountains.   My 9 inch blocks would turn into 8 inch half square triangles which would turn into a rectangle that would be about 12 x 8 inch mountains.  Those are are rectangles.  Sewing two of them together makes a block that is 12 x 16.  Still not a square.  And I needed squares to make rotate and make the pretty chain looking pattern.  I spent much of the week convinced that I could add some to the middle and I would get the right shape and it would all work out.  Unfortunately, adding fabric in the only direction that wouldn't disrupt the pattern merely exacerbated the problem.  So... no simple mountains for me. The only way to make the pattern is to go old school with lots of bias and half square triangles.  By the time I figured that out, it was way too late to get the size quilt I wanted to make finished in time.  And besides, I couldn't find my triangle paper without which this isn't happening!

So, I pouted for another day.  Then I drew some sketches.  But my flying geese paper was too big and I was still pouting and not going to try and make up the 5 paper piece patterns I would need.

I started looking for pictures of Fairplay.  I found one of the Sheldon Jackson Memorial Church.  It is a church that is so iconic... well I have to digress and tell another story.  You see I got married in that church.  I was living in DC.  My then fiance  (whose family laid claim to come from from that next valley over) was in Michigan and my mom was in Fairplay.  There were logistics.  I bought my dress in DC and was looking for a veil.  I found one in a small bridal consignment shop.  When I described my dress to the owner (long sleeve, cotton jacquard) for an August wedding, I got the usual response.  "You are insane.  You will sweat to death."  But I started to explain that I was getting married in a small town in Colorado called Fai.... "Fairplay." the owner replied "in that beautiful little church."  It turned out she spent time nearby and always wanted to attend a wedding in that church.  So I invited her.  She came.  It was special.  The picture above is my flower girl sitting on a bench in the beautiful garden of that beautiful church.  A church so memorable that a shop owner half a continent away knew about it.

Back to the quilt...  I started playing with a picture and finally settled upon an sketchy version.  I printed it on fabric and then hand quilted/embellished with with quilting cotton and number 5 perl cotton.  I had to add some of the beautiful flowers from the garden and a hint of the Colorado blue sky.  The binding is a tiny strip of my favorite forget-me-knot fabric, as appropriate as the iris and columbine.  My stitching leaves a lot to be desired.  We won't look at the back.  This was a great project to ease me back into quilting and hand stitching.  (It has been so long I don't even have a quilts 2017 folder.)  I am ready to see what the next challenges bring.

The quilt is approximately 7 x 10 inches.  It is printed on cotton with cotton backing and binding.  The batting is a synthetic.  It is hand quilted with cotton and perl cotton.

Project Quilting is the brain child of Kim Lapacek.  You can see all of the amazing quilts produced in response to this challenge here

Saturday, February 18, 2017

PQ8.3 Bright Enough?

The challenge was color. Bright color. I had the opportunity to stop by Hancocks of Paducah this week. There is a giant table of remnants. I pulled a bunch of them.  Enough for two quilts.  I started with a wild flowered print with lots of pink, turquoise and orange. I kept pulling fabrics from the giant stack that all worked. Lots of pink and turquoise. A few text prints in black and white and some Kaffe yardage for my collection. But there was also a pile orange and pink fabrics.  I really loved the pink and turquoise. I was going to make a pink and turquoise quilt.  But I knew that if I left the oranges on the table, I would dream about them and I would never find them again and it would be yet another quilt that got away. Since it was the remnant table, I bought them all. 

Then I started on the quilt.  The orange quilt.  Not the pink and turquoise quilt. That one will wait for another day. 

I knew I needed a simple design for this project so I reverted to my very first go to quilt pattern. The one I learned from my grandmother.  Diagonal blocks. And if you don't have enough of one fabric them grab the closest thing and start filling in. That is what happened with the black print I put in to give some contrast to the colors. 

Now this is the quilt pattern I, we, made many times when my babies were babies. We being my husband and I.  He would cut all the fabric and I would sew. We invented our own plan for strip piecing in the days before youtube when you read books or learned at your LQS if you even knew what that was, which I didn't when I started. I just looked at the quilts Grandma made and went from there.  After making a quilt by cutting up individual blocks (poorly) and sewing them together crookedly, we decided there had to be a better way.

Our plan basically amounts to sewing strips, cutting them in half, sewing and cutting until we end up with one long strip of blocks. Then we take a picture of the rolled up 'quilt',  giggle and start unpicking at the appropriate intervals.  Ayup.  There is an entire quilt in there. 

After that it is a matter of sewing the strips together and finishing your quilt. Easy. Peasy.  Boy did we think we were clever.  Soon we learned that there were whole books on strip piecing and quilt design.  But this works for us and we revert to it when we need a quilt in a hurry. 

Having brought home the stack of fabric and explaining my plan to the Mr, he wasn't to be stopped on helping. So I am probably disqualified this week because he did his usual job of cutting the fabric for me. It has been awhile since we worked together on a quilt so it was great fun to be doing it. 

Thus you have the Bright Quilt.  The back is particularly blinding as it is a black and white zig zag.  The quilt insisted on it and the ladies at the LQS (I know about these now) agreed with the quilt.  Which was really unkind of them as the print is pretty blinding up close and personal.  I figured it would be ok because it would be upside down when I basted it and upside down when I quilted it.  However, it was face front when stitching the binding.  Fortunately that is done!

This is the final, done, indoor at night picture to show that in spite of being blinded by the backing, I was able to get the final edge stitched up.   It was machine quilted with a large window pane design using the walking foot. Machine bound and hand stitched. The quilt measures 44 x 72 inches.

This was done in response to the Project Quilting prompt created by Trish Franklin, the evil challenge maker for Kim Lapacek's Project quilting.  Check it out on her blog persimon dreams.

Saturday, February 4, 2017

PQ8.3 Texture: Feelings....

I've had quilter's block (and not in a good way) for a while now.  I've been trying to get back into the groove by at least making something for the PQ challenges.  This week it was Texture.  As in, be inspired by texture.  Since my view for the entire week has been looking at fleece and badges in my sewing room there wasn't a lot of additional inspiration to be found. HOWEVER, as I was thinking about texture, I realized that an important part of texture is touching and that is Feelings*.  (Whoa, whoa, whoa, whooooooaa feeeeeelings...  just had to share the ear worm!) 

So, given that this is February,  I made tiny little textured quilt showing the feeling of love.  For a number of reasons it had to be hand sewn.  So it is a 6 inch square quilted with seed stitch using two strands of #3 Pearl cotton.  The 'binding is a simple blanket stitch. (Yes, that seemed MUCH easier than cutting and stitching a binding... at least at the start.)  And it is finished!  Just maybe I'll get around to making are 'real' quilt again one of these days (direct your flame wars elsewhere, it is a long standing joke around here and I almost didn't survive the PQ season where I challenged myself to make big quilts.)

Thanks for the inspiration from all of the amazing quilters who are participating and even more thanks to Kim and the evil dreamer of inspirations, Trish. 

*Come on, Trish... you knew I couldn't play it straight! 

Sunday, January 22, 2017

PQ8.2 Sad Little Lily

Sometimes the lonely flower blooming in Winter has a tragic tale of heroic efforts to see the light of day. And sometimes it is just a sad little lily who waited too long to bloom and grow.

Tiny Carolina lily block made from scrap cotton. Approximately 8 x 6 inches.

I am definitely off to a slow start.  I'll try to do better next time.   
Persimon Dreams for information about Project Quilting.   

By the way, basting and stitching in opposite directions are good things to do.  I kind of forgot that. 

Saturday, October 15, 2016

The People You Meet: The Polite Professional

Over the past few months we have participated in many different shows from pure art to a mix of festival and craft.  We have been to shows with fewer than 200 visitors and shows with over 100,000 visitors.  It has been a wild ride for us. But at each one we worked hard to observe and learn.  We observed how people interact with our displays and then experimented to see how we can improve their experience. We also observed the other vendors.  We wanted to see what they were doing that was working and to see what wasn't working.  Over time, we have come to recognize some basic vendor styles both good and bad.  We learn something from all of them. 

The vendors around us have ranged from first-time-wet-behind-the-ears newbies to been-there-done-that-made-more-than-you experts.  Upon reflecting about our various booth neighbors I realize we have developed a sort of short hand to communicate the various styles and a set of responses to them. I thought I would start to share them here.

 As a general note, what I am saying applies to vendors of all stripes from fine artists, to crafters to direct sales.  While the products and customers can vary greatly the approaches generally apply.  

Probably the best kind of booth neighbor is the polite professional.  This vendor has been doing it for a long time.  They probably make their living doing shows. 
  • They have their booth design and load in/load out practices down to a science. 
  •  They follow the rules.  If cars have to be out by 9 they are moving them by 10 till.  
  • They stay within their assigned space and always ask if they have a real need to move through a neighbor's space (to access a tent wall or retrieve a dropped item).  
  • They speak positively about the show, customers and other vendors.  Even if it is a rough show they are polite in their conversation. 
  • Some of them go strictly about their own work and don't chit chat. Some may be more involved with their neighbors.  But they are always aware of the customers in their booth and in yours.  They understand that it is perfectly fine to stop a vendor-to-vendor conversation in mid sentence to tend to their own customer or to allow you to tend to yours.
  • They understand the constraints of working a show for 8 hours. If they know where things like restaurants are they will share that information.  They may offer or usually kindly agree to watch your booth if you need a potty stop.  They aren't gone forever if they ask the same of you.  
  • Their prices are clearly marked. Their signs are professional.  If they are handwritten it is neatly done and consistent with the rest of their branding. 
  • Their space is tidy.
  • If possible they work on some part of their product during the down times and are willing to talk about what they make, what inspires them and a wee bit about how they make things.  Don't ask them (or any vendor) detailed questions about sources, supplies, equipment or processes.  They have worked long and hard to perfect their craft and asking how to duplicate things is rude. 
  • They don't leave early unless it is a dire emergency or they have been dismissed by the show organizer.  Boredom or lack of customers is NOT a dire emergency.  The professional fulfills their contracted obligation.
You should take time to observe the polite professional.  They've been around for a long time because they have figured things out.  You can learn from them.  

Wednesday, October 12, 2016

Upcoming Shows

October 16:  Wine Country Market.  11 - 4
     (Sugar Creek Winery, Defiance, MO)
October 22:  FHC Craft Fair  9-3
    (Francis Howell Central, Hiway N, Cottleville, MO)
November 18:  Fall Charity Christmas Bazaar.  6-9pm
    (Perez Family Chiropractic. 2261 Bluestone Drive, St Charles, MO 63303)
November 19:  Waldorf School Holiday Faire 9 - 3
     (Peace United Church 204 E Lockwood Ave. Webster Groves, MO)
December 10:  Handmade Marketplace Craft Show 9-4 
     (Webster University, Grants Gym)

Thursday, July 14, 2016

tap, tap, tap... is this thing on?

It has been stooopid crazy around here for the past several months and it isn't going to get better any time soon. In addition to my usual 'hobby' organizing trash clean ups and kayak races, WaggonsWest has stepped up into a bunch of new activities.  Creatures keep appearing out of nowhere and they demand attention.

These two showed up on night saying they were from the South Seas.  They seem to be quite polite and sweet but there is just something about the one on the left...

As always the llamas are causing trouble.

Then there are the badges. Lots and lots of new badges coming.   I'll try to post more pictures. 

Sunday, March 6, 2016

PQ 7.5 The Bery Scary Topiary

When my youngest was three we worked together to make some Halloween topiary.  We still use them when we decorate for the season. They were styrofoam balls on sticks in flowerpots.  He drew the faces and they are adorable.

The challenge for this week was to use children's art as my inspiration.  I (finally) decided to make a table runner based upon those Bery Scary Topiary. 


 The quilt is approximately12 x 30.  It is uneven and has a raw edge instead of a binding.  The topiary are raw edge applique.  They may faces some day but, given that I woke up at 7:30 this morning determined to start and finish a project, and that I was taking pictures by 9....  well, we'll call this one done. 

Project quilting is the brainchild of Kim Lapacek  The challenges are thought up by her evil genius mother-in-law Dianne.  You can check out all of this weeks quilts at Persimon Dreams

Saturday, February 20, 2016

PQ 7.4 I Need a Vacation: Cutastrophe

This week's quilt is called Into the Forest.  It is in response to the Project Quilting Season 7 week 4 prompt, I need a vacation. Just taking the time to make a quilt was a vacation for me.  I have been working flat out designing and making plushies and badges for the Spring season and really needed the excuse to put that all on hold and just make a quilt.  

My initial purchase was just a third of a yard of each of three fabrics.  I had resolved to learn to use the Thangles for pieces half square triangles I had acquired years ago and never had time to play with.  Given any choice at all, I will never make HST's any other way ever again.  No fancy cutting.  No bias edges to manage  Sew two seams... well two kind of funky seams, cut on the lines and voila, HST's in multiples.  No trimming needed.  Wow!

Having made the triangle blocks, I was ready to cut the focus fabric, stitch it up and be done on Wednesday.  Ha!  The focus fabric wanted, no deserved to be fussy cut.  So I did.  I had to make a cardboard pattern but I did.  I felt a strong connection to my grandparents who would sit at the dining room table for hours tracing blocks around cardboard patterns and then cutting on the lines with scissors.  Yep.  That is what I did.  All 12 blocks and most of my fabric. Lovely, perfectly centered 3.5 inch fussy cut blocks. Yay! Me.  

Except that the pieced blocks, well, they were all a lovely 4.5 inches.  

Another day.  Another dollar.  Literally.  By the time I cut a few blocks of the correct size and stitched a bit together, it became clear that the quilt not only wanted blocks of the proper size but it wanted borders and enough fancy fabric to do the back.  A trip back to the shop.  An hour auditioning border fabrics.  A sizable bill and the quilt had both its backing and its border.

But it wasn't done with me yet.  It didn't just want a border.  It wanted a MITERED border.  A MITERED DOUBLE border.  Turns out it wasn't nearly as difficult as I thought it might me.  I really love the clean look.  I'll probably be adding them to more of my quilts in the future.  

So all in all, this was a great learning quilt.  And I quite like the results.  

 The details:
The fabric for this quilt was all purchased at Barb's in Huntsville.  She has a small but eclectic collection of fabrics that appeal to me.  The main fabric is from a collection called Gentle Forest by Tea and Sympathy for StudioE.  

It measures 34 x 26... a good stroller quilt size.  It is made from quilter's cotton with warm and white batting.  It has free motion leaves in the (mitered) border and stitch in the ditch around the (properly fussy cut and thangle pieced) blocks.

Oh, and the real vacation link... I love going to the woods for vacation!

Monday, February 8, 2016

Easy Tumbling Blocks

I need to save this video.  It shows how to strip piece tumbling blocks.  This is a quilt pattern I love but...  without inset seams I just might try it.  It isn't as easy as she makes it look. There are plenty of places to mess it up. However it certainly looks doable.