When I was a kid, there were several ways through the woods to Grandmother's house. One of them was on the Lemoyne Road and went through the village of Lemoyne. Like many small towns at the time it had a grain elevator and rough tracks to cross over. Lemoyne was further blessed with two State highways. This was not the preferred route. Crossing the tracks was difficult. They were raised up a bit and went behind the elevator. There was also a difficult approach to the expressways. They came up at an angle, making it very difficult to see on-coming traffic. There was always a certain level of anxiety approaching the crossings. Even as kids, we knew it was tricky, if not down right dangerous.
By the time I learned to drive, they had installed crossing guards on the tracks and there was a new by-pass over Lemoyne Road. The journey was much easier and we were more likely to go that way.
|One bonus of squaring your blocks is that the whole quilt comes out square-er (is that a word?)|
That is pretty much how I feel about the traditional Lemoyne Star block. It has always been one of my favorite blocks but going that route meant cutting out trapezoids and learning Y-seams. Tricky, if not down right dangerous.
|Quilting with Perl Cotton|
Then along comes the inestimable Jenny Doan of the Missouri Star Quilt Company with her Big Star Tutorial. All of the sudden the block became easier and now I am much more likely to sew it.
|A closer look at the backing fabric.|
Jenny gives you wonderful instructions for making the block. Having just finished piecing my second quilt using the technique there are a few things I would add to the instructions:
- If you really want this to look like a traditional Lemoyne Star, you will need to choose solids or small print fabrics that do not have a clear pattern or direction.
- Pin. I'm not usually a pinner but the 10x10 inch blocks can slip around when you are sewing them. A walking foot will help. Adjusting the pressure on your pressure foot might help (I haven't quite figured that out yet). Pinning helps.
- Anyone who places the ruler and cuts an angle like Jenny must have magic ruler placing, ruler holding and cutting super powers. No matter how hard I try, I cannot get four perfect 6.75 inch squares every time. I'm happy if I am close some of the time.
- It is better to cut as best you can and then trim the blocks down to 6.5 inches. You will end up with a final block that finishes at 24 inches. But you will be more likely to keep your points and match your corners.
- Every seam you sew after you make your half square triangles will be on the BIAS. The good news is that they can be
easedstretched to make your corners meet. The bad news is that they stretch like crazy which can result in some crazy lumps in your top. Once again, pin and sew with caution.
|Another picture of the whole quilt. It goes wall to wall in the foyer so I can't get a picture without the hats in it.|
Wednesday after dinner: Start cutting. Get all of the blue and most of the white cut. Make and trim HST for one star.
Thursday: Buy more fabric. Cut rest of white fabric. Cut and trim blocks for the rest the stars. Get the rows stitched for each of the stars.
Friday morning. Stitch the rows together to make the stars. Iron everything. Arrange and re-arrange the blocks. Stitch the final nine-patch.
Friday afternoon: Cut and piece the backing. Iron everything. Baste. Buy pearl cotton.
|Quilt top spread out and ready to baste.|
Friday evening: Start quilting.
Saturday Morning: Keep quilting.
Saturday afternoon: Take Spud 1 out to buy shoes. End up having to drive into the city and take all day.
Saturday evening. Keep quilting. Cut and prep binding. Stitch on binding.
|Rounded corners, number fabric and pretty backing.|
|I love gingham binding!|
|Add captionFor some reason, these big star quilts turn the spuds into quilt monsters. They always throw the quilt over their head and start running around. I can never really get a clear picture of them because they are moving so fast.|
All of the blue fabrics in the quilt are stars or space themed this quilt represents the theme in a number of ways. Traveling across space and time in memory recalling those trips to Grandma's house and traveling across the vast expanse of the quilt both by hand and machine in the time available also seem fitting to the theme.
Project Quilting is the brain child of Kim Lapacek of Persimon Dreams. The challenges are dreamed up by Diane Lapacek. Quilters are given one week to come up with a completed quilted project inspired by the challenge prompt. Be sure to check out the website, the Project Quilting Flickr group and the Challenge Quilts and Project Quilting Face Book pages for more great quilts.